Here we really feel the connection the speaker is trying to make between himself and Christ by using similar sounds to address his savior and the tortured souls that need his help. And finally we get some more alliteration in line 11 that repeats that T sound in 'To thee' and 'tortured' souls. It's something to which nearly everyone in the world can relate.Īlso, in line 5, we get some alliteration (repetition of initial consonant sounds) in the words 'mouth' and 'myriad.' Just like before, the repetition of that M sound helps to accent the words even more and gets us thinking about that mechanical sound of 'mouth' subtleties. So, the poem is using sound to underscore that the central phenomenon of mask-wearing is not just limited to the speaker or even his best buds. It's subtle, but think about it: most plural words end in S (like, um, 'words') and most of these S-sound words are indeed plural words.

So, what's up with that? Well, that repeated sound not only helps to accent the first rhyme of the poem ('lies' and 'eyes'), it also gives us an underlying sense of multitudes. ‘Neo Berlin Techno’ is a great fit for producers of IDM and Electro to Experimental Techno, Downtempo and Ambient.With influences from the late 90s and early 2000s Detroit, UK, and Berlin rave scenes, the sounds from this sound bank have the great taste of today’s electronic music with the. Stanza 1 has quite a bit of consonance (repetition of consonant sounds) in words like 'grins,' 'lies,' 'cheeks,' 'shades,' 'eyes,' 'hearts,' 'smile,' and 'subtleties.' Whew. Mask Movement Samples are back with a rare artistic collection of Techno and Rave sounds. You want proof? Let's start at the beginning, then.

And since this sort of poem is supposed to be lyrical and memorable (considering that refrain) we can expect those devices to help amplify the sound even more. Since 'We Wear the Mask' is a rondeau, we can assume that we'll have a few more literary devices circulating in this already highly formulaic poem.

The mask sound effect